هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Princess of Cleves    

Grandeur and gallantry never appeared with more lustre in France,
than in the last years of Henry the Second's reign. This Prince
was amorous and handsome, and though his passion for Diana of
Poitiers Duchess of Valentinois, was of above twenty years
standing, it was not the less violent, nor did he give less
distinguishing proofs of it.
As he was happily turned to excel in bodily exercises, he took a
particular delight in them, such as hunting, tennis, running at
the ring, and the like diversions. Madam de Valentinois gave
spirit to all entertainments of this sort, and appeared at them
with grace and beauty equal to that of her grand-daughter, Madam
de la Marke, who was then unmarried; the Queen's presence seemed
to authorise hers.
The Queen was handsome, though not young; she loved grandeur,
magnificence and pleasure; she was married to the King while he
was Duke of Orleans, during the life of his elder brother the
Dauphin, a prince whose great qualities promised in him a worthy
successor of his father Francis the First.
The Queen's ambitious temper made her taste the sweets of
reigning, and she seemed to bear with perfect ease the King's
passion for the Duchess of Valentinois, nor did she express the
least jealousy of it; but she was so skilful a dissembler, that
it was hard to judge of her real sentiments, and policy obliged
her to keep the duchess about her person, that she might draw the
King to her at the same time.

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