هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Lucky One    

Deputy Keith Clayton hadn't heard them approach, and up close, he didn't like the looks
of them any more than he had the first time he'd seen them. The dog was part of it. He
wasn't fond of German shepherds, and this one, though he was standing quietly,
reminded him of Panther, the police dog that rode with Deputy Kenny Moore and was
quick to bite suspects in the crotch at the slightest command. Most of the time he
regarded Moore as an idiot, but he was still just about the closest thing to a friend that
Clayton had in the department, and he had to admit that Moore had a way of telling
those crotch-biting stories that made Clayton double over in laughter. And Moore would
definitely have appreciated the little skinny-dipping party Clayton had just broken up,
when he'd spied a couple of coeds sunning down by the creek in all their morning glory.
He hadn't been there for more than a few minutes and had snapped only a couple of
pictures on the digital camera when he saw a third girl pop up from behind a hydrangea
bush. After quickly ditching the camera in the bushes behind him, he'd stepped out from
behind the tree, and a moment later, he and the coed were face-to-face.
"Well, what have we got here?" he drawled, trying to put her on the defensive.
He hadn't liked the fact that he'd been caught, nor was he pleased with his insipid
opening line. Usually he was smoother than that. A lot smoother. Thankfully, the girl was
too embarrassed to notice much of anything, and she almost tripped while trying to back
up. She stammered something like an answer as she tried to cover herself with her
hands. It was like watching someone play a game of Twister by herself.

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