هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Room    

INT. ROOM - NIGHT 1
Darkness. The faint background hum of a refrigerator. A light
clicks on, briefly, then snaps off again.
Then on again, for a little longer.
We wake groggily with JACK (five), blinking up at MA (26).
She's standing in a worn t-shirt and underwear beside a lamp,
switching it on and off at apparently random intervals. She
cranes up at the recessed skylight, Room's only window.
The irregular flashes of lamp-light reveal glimpses of this
little world lined with cork: ten foot a side, seven foot
high, gabled ceiling rising to ten foot.
Clusters of Jack's and Ma's vivid drawings are pinned all
over the walls, quivering in the draft from the vents. Done
with five crayons (red, yellow, blue, orange, green) and
pencil on toilet tissue, lined pages or cardboard, they show
dogs, trees, aliens, rocket ships, figures labelled 'Jack' or
'Ma'. Delicate mobiles (uncooked spaghetti, threads,
plastics, foil, down from pillows, cloth scraps) dangle.
A wardrobe with slatted louver doors. On top, toys crafted
from garbage, a Labyrinth from toilet-roll insides.
A dresser with a TV. A homemade pack of cards, papier mâché
checkers and chess. A Fort constructed from vitamin and other
bottles and cans. A single meagre African violet in a pot on
the TV.
This novel is considered one of the best novels for the reader, and he will enjoy it and dive into the depths of its interesting events

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