هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Miss Peregrine's Home for Peculiar Children    

I stared at the last photo as Grandpa Portman explained. “He had two mouths, see?
One in the front and one in the back. That’s why he got so big and fat!”
“But it’s fake,” I said. “The face is just painted on.”
“Sure, the paint’s fake. It was for a circus show. But I’m telling you, he had two
mouths. You don’t believe me?”
I thought about it, looking at the pictures and then at my grandfather, his face so
earnest and open. What reason would he have to lie?
“I believe you,” I said.
And I really did believe him—for a few years, at least—though mostly because I
wanted to, like other kids my age wanted to believe in Santa Claus. We cling to our
fairy tales until the price for believing them becomes too high, which for me was the day
in second grade when Robbie Jensen pantsed me at lunch in front of a table of girls and
announced that I believed in fairies. It was just deserts, I suppose, for repeating my
grandfather’s stories at school but in those humiliating seconds I foresaw the moniker
“fairy boy” trailing me for years and, rightly or not, I resented him for it.
Grandpa Portman picked me up from school that afternoon, as he often did when both
my parents were working. I climbed into the passenger seat of his old Pontiac and
declared that I didn’t believe in his fairy stories anymore.
“What fairy stories?” he said, peering at me over his glasses.
“You know. The stories. About the kids and the monsters.”

 kids                                           

 story                                           

 books

 online

      
 World novels

 International stories