هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Ramona and her Father    

“ e-e-ep!” sang Ramona Quimby one
warm September afternoon, as she knelt
on a chair at the kitchen table to make out
her Christmas list. She had enjoyed a good
day in second grade, and she looked forward to working on her list. For Ramona
a Christmas list was a list of presents she
hoped to receive, not presents she planned
to give. “Ye-e-ep!” she sang again.
“Thank goodness today is payday,”
remarked Mrs. Quimby, as she opened the
refrigerator to see what she could find for
supper.
“Ye-e-ep!” sang Ramona, as she printed
mice or ginny pig on her list with purple
crayon. Next to Christmas and her birthday,
her father’s payday was her favorite day. His
payday meant treats. Her mother’s payday
from her part-time job in a doctor’s office
meant they could make payments on the
bedroom the Quimbys had added to their
house when Ramona was in first grade.
“What’s all this yeeping about?” asked
Mrs. Quimby.
“I’m making a joyful noise until the Lord
like they say in Sunday school,” Ramona
explained.“Only they don’t tell us what the
joyful noise sounds like so I made up my
own.” Hooray and wow, joyful noises to
Ramona, had not sounded right, so she had
settled on yeep because it sounded happy
but not rowdy. “Isn’t that all right?” she
asked, as she began to add myna bird that talks
to her list.
 

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