هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Slaughterhouse-Five

All this happened, more or less. The war parts, anyway, are pretty much true. One guy I
knew really was shot in Dresden for taking a teapot that wasn't his. Another guy I knew
really did threaten to have his personal enemies killed by hired gunmen after the war.
And so on. I've changed all the names.
 I really did go back to Dresden with Guggenheim money (God love it) in 1967. It
looked a lot like Dayton, Ohio, more open spaces than Dayton has. There must be tons of
human bone meal in the ground.
 I went back there with an old war buddy, Bernard V. O'Hare, and we made friends
with a taxi driver, who took us to the slaughterhouse where we had been locked up at
night as prisoner of war. His name was Gerhard Müller. He told us that he was a prisoner
of the Americans for a while. We asked him how it was to live under Communism, and
he said that it was terrible at first, because everybody had to work so hard, and because
there wasn't much shelter or food or clothing. But things were much better now. He had a
pleasant little apartment, and his daughter was getting an excellent education. His mother
was incinerated in the Dresden fire-storm. So it goes.
 He sent O'Hare a postcard at Christmastime, and here is what it said:
 'I wish you and your family also as to your friend Merry Christmas and a happy New
Year and I hope that we'll meet again in a world of peace and freedom in the taxi cab if
the accident will.'
 

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