هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Dombey And Son

Dombey sat in the corner of the darkened room in the great arm­chair by the bedside, and 
Son lay tucked up warm in a little basket bedstead, carefully disposed on a low settee
immediately in front of the fire and close to it, as if his constitution were analogous to 
that of a muffin, and it was essential to toast him brown while he was very new. 
Dombey was about eight­and­forty years of age. Son about eight­and­forty minutes. Dombey was rather bald, rather red, and though a handsome well­made man, too stern 
and pompous in appearance, to be prepossessing. Son was very bald, and very red, and 
though (of course) an undeniably fine infant, somewhat crushed and spotty in his general 
effect, as yet. On the brow of Dombey, Time and his brother Care had set some marks, as
on a tree that was to come down in good time ­ remorseless twins they are for striding 
through their human forests, notching as they go ­ while the countenance of Son was
crossed with a thousand little creases, which the same deceitful Time would take delight 
in smoothing out and wearing away with the flat part of his scythe, as a preparation of the 
surface for his deeper operations.
 

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