هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Brideshead Revisited    

THIS novel, which is here re-issued with many small additions and some substantial cuts, lost me such
esteem as I once enjoyed among my contemporaries and led me into an unfamiliar world of fan-mail and
press photographers. Its theme — the operation of divine grace on a group of diverse but closely
connected characters — was perhaps presumptuously large, but I make no apology for it. I am less happy
about its form, whose more glaring defects may be blamed on the circumstances in which it was written.
In December 1943 1 had the good fortune when parachuting to incur a minor injury which afforded me
a rest from military service. This was extended by a sympathetic commanding officer, who let me remain
unemployed until June 1944 when the book was finished. I wrote with a zest that was quite strange to me
and also with impatience to get back to the war. It was a bleak period of present privation and threatening
disaster — the period of soya beans and Basic English — and in consequence the, book is infused with a
kind of gluttony, for food and wine, for the splendours of the recent past, and for rhetorical and ornamental
language, which now with a full stomach I find distasteful. I have modified the grosser passages but have
not obliterated them because they are an essential part of the book.
 

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