هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Go Set a Watchman    

SINCE ATLANTA, SHE had
looked out the dining-car
window with a delight almost
physical. Over her breakfast
coffee, she watched the last
of Georgia’s hills recede and
the red earth appear, and with
it tin-roofed houses set in the
middle of swept yards, and in
the yards the inevitable
verbena grew, surrounded by
whitewashed tires. She
grinned when she saw her
first TV antenna atop an
unpainted Negro house; as
they multiplied, her joy rose.
Jean Louise Finch always
made this journey by air, but
she decided to go by train
from New York to Maycomb
Junction on her fifth annual
trip home. For one thing, she
had the life scared out of her
the last time she was on a
plane: the pilot elected to fly
through a tornado. For
another thing, flying home
meant her father rising at
three in the morning, driving
a hundred miles to meet her
in Mobile, and doing a full
day’s work afterwards: he
was seventy-two now and this
was no longer fair.
She was glad she had
decided to go by train. Trains
had changed since her
childhood, and the novelty of
the experience amused her: a
fat genie of a porter
materialized when she
pressed a button on a wall; at
her bidding a stainless steel
washbasin popped out of
another wall, and there was a
john one could prop one’s
feet on. She resolved not to
be intimidated by several
messages stenciled around
her compartment—a
roomette, they called it—but
when she went to bed the
night before, she succeeded in
folding herself up into the
wall because she had ignored
an injunction to pull this lever
down over brackets, a
situation remedied by the
porter to her embarrassment,
as her habit was to sleep only
in pajama tops

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