هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Amber Spyglass    

 In a valley shaded with rhododendrons, close to the snow line, where a stream milky
with meltwater splashed and where doves and linnets flew among the immense pines, lay
a cave, half-hidden by the crag above and the stiff heavy leaves that clustered below.

 The woods were full of sound: the stream between the rocks, the wind among the
needles of the pine branches, the chitter of insects and the cries of small arboreal
mammals, as well as the birdsong; and from time to time a stronger gust of wind would
make one of the branches of a cedar or a fir move against another and groan like a cello.

 It was a place of brilliant sunlight, never undappled. Shafts of lemon-gold brilliance
lanced down to the forest floor between bars and pools of brown-green shade; and the
light was never still, never constant, because drifting mist would often float among the
treetops, filtering all the sunlight to a pearly sheen and brushing every pine cone with
moisture that glistened when the mist lifted. Sometimes the wetness in the clouds
condensed into tiny drops half mist and half rain, which floated downward rather than
fell, making a soft rustling patter among the millions of needles.

 There was a narrow path beside the stream, which led from a village--little more than a
cluster of herdsmen's dwellings--at the foot of the valley to a half-ruined shrine near the
glacier at its head, a place where faded silken flags streamed out in the perpetual winds
from the high mountains, and offerings of barley cakes and dried tea were placed by
pious villagers. An odd effect of the light, the ice, and the vapor enveloped the head of
the valley in perpetual rainbows. 

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