هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Dangerous Liaisons    

This Work, or rather Collection, which the Public will, perhaps, still find
too voluminous, contains but a small part of the correspondence from
which it is extracted. Being appointed to arrange it by the persons in
whose possession it was, and who, I knew, intended it for publication, I
asked, for my sole recompence, the liberty to reject every thing that
appeared to me useless, and I have endeavoured to preserve only the
letters which appeared necessary to illustrate the events, or to unfold the
characters. If to this inconsiderable share in the work be added an
arrangement of those letters which I have preserved, with a strict
attention to dates, and some short annotations, calculated, for the most
part, to point out some citations, or to explain some retrenchments I
have made, the Public will see the extent of my labours, and the part I
have taken in this publication.
I have also changed, or suppressed, the names of the personages, and if,
among those I have substituted, any resemblance may be found which
might give offence, I beg it may be looked on as an unintentional error.
I proposed farther alterations, as to purity of style and diction, in both
which many faults will be found. I could also have wished to have been
authorised to shorten some long letters, several of which treat separately,
and almost without transition, of objects totally foreign to one another.
This liberty, in which I was not indulged, would not have been sufficient
to give merit to the work, but would have corrected part of its defects.
 

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