هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Jacob Have I Loved    

As soon as the snow melts, I will go to Bass and fetch my mother. At
Crisfield I'll board the ferry, climbing down into the cabin where the women
always ride, but after forty minutes of sitting on the hard cabin bench, I'll
stand up to peer out of the high forward windows, straining for the first sight
of my island.
 The ferry will be almost there before I can see Rass, lying low as -a
terrapin back on the faded olive water of the Chesapeake. Suddenly, though,
the steeple of the Methodist Church will leap from the Bay, dragging up a
cluster of white board houses. And then, almost at once, we will be in the
harbour, tying up beside Captain Billy's unpainted two- storey ferry house,
which leans wearily against a long, low shed used for the captain's crab
shipping business. Next door, but standing primly aloof in a coat of fierce
green paint, is Kellam's General Store with the post once inside, and behind
them, on a narrow spine of fast land, the houses and white picket fences of
the village. There are only a few spindly trees. It is the excess of snowball
bushes that lends a semblance of green to every yard.
 The dock onto which I'll step is part of a maze of docks. My eye could
travel down the planking of any one of them and find at the end a shack
erected by a waterman for storage and crab packing. If I arrive in late spring,
the crab houses will be surrounded by slat floats that hold and protect peeler
crabs in the water of the Bay until they have shed. Then the newly soft crabs
will be packed in eelgrass and the boxes taken to Captain Billy's for shipping
to the mainland. 
 

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