هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Warden    

The Rev. Septimus Harding was, a few years since, a beneficed
clergyman residing in the cathedral town of ---;
let us call it Barchester. Were we to name Wells or Salisbury,
Exeter, Hereford, or Gloucester, it might be presumed that
something personal was intended; and as this tale will refer
mainly to the cathedral dignitaries of the town in question, we
are anxious that no personality may be suspected. Let us presume
that Barchester is a quiet town in the West of England,
more remarkable for the beauty of its cathedral and the
antiquity of its monuments than for any commercial prosperity;
that the west end of Barchester is the cathedral close, and that
the aristocracy of Barchester are the bishop, dean, and canons,
with their respective wives and daughters.
Early in life Mr Harding found himself located at Barchester.
A fine voice and a taste for sacred music had decided the
position in which he was to exercise his calling, and for
many years he performed the easy but not highly paid duties
of a minor canon. At the age of forty a small living in the close
vicinity of the town increased both his work and his income,
and at the age of fifty he became precentor of the cathedral.
Mr Harding had married early in life, and was the father
of two daughters. The eldest, Susan, was born soon after his
marriage; the other, Eleanor, not till ten years later.

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