هذا القسم يحتوى علي كل ما يختص بدراسة الأدب الحديث.

تعود أصول الحداثة الأدبية ، أو الأدب الحداثي ، إلى أواخر القرن التاسع عشر وأوائل القرن العشرين ، خاصة في أوروبا وأمريكا الشمالية ، وتتميز بانفصال واعي للغاية مع طرق الكتابة التقليدية ، في الشعر والخيال النثرية. جرب الحداثيون الشكل الأدبي والتعبير ، كما يتضح من مقولة عزرا باوند "جعله جديدًا".

The impact of literature in modern society is undeniable. Literature acts as a form of expression for each individual author. ... I believe that literature is important because of its purpose and in a society, which is becoming increasing detached from human interaction, novels create a conversation.‏
Touted as the father of modern English by his contemporaries and later (even modern) critics, Geoffrey Chaucer (1343-1400) remains one of the essential medieval writers that still has prevalence in our literary culture today.
The Main Characteristics of Modern Literature: The characteristics of the Modern Literature can be categorized into Individualism, Experimentation, Symbolism, Absurdity and Formalism. 1-Individualism: In Modern Literature, the individual is more interesting than society.

In broad terms, the period was marked by sudden and unexpected breaks with traditional ways of viewing and interacting with the world. Experimentation and individualism became virtues, where in the past they were often heartily discouraged. Modernism was set in motion, in one sense, through a series of cultural shocks.

Literary modernism, or modernist literature, has its origins in the late 19th and early 20th centuries, mainly in Europe and North America, and is characterized by a very self-conscious break with traditional ways of writing, in both poetry and prose fiction.

noun. Modernism is a technique, thought, discussion, creative work or genre of art and literature that breaks from the classical mold or that is considered cutting-edge. An example of modernism is a technique in art that breaks from classical stylings. YourDictionary definition and usage example.

The following are characteristics of Modernism: Marked by a strong and intentional break with tradition. This break includes a strong reaction against established religious, political, and social views. Belief that the world is created in the act of perceiving it; that is, the world is what we 
Literary modernism, or modernist literature, has its origins in the late 19th and early 20th centuries, mainly in Europe and North America, and is characterized by a very self-conscious break with traditional ways of writing, in both poetry and prose fiction. Modernists experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new."[1] This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time.[2] The horrors of the First World War saw the prevailing assumptions about society reassessed.[3]

Contents
1    Origins and precursors
2    Early modernist writers
3    Continuation: 1920s and 1930s
4    Modernist literature after 1939
4.1    Late modernism
4.2    Theatre of the Absurd

MODERANIM

Modern Western literature commenced from the 1890s. The high modernism
began after the First World War. The architect Sir Edwin Lutyen visited the
battlefields of north-eastern France in July 1917 in order to investigate the need for
permanent memories to the vast number of dead. The post-war period was haunted by
long memories, tender, angry, and sickening. Sir Lutyen says that poppies,
cornflowers, skylarks and rats of the poetry had emerged from the war that effectively
marked the end of an art which had once reached far comfortably to sympathetic
images from nature.
New feelings started in politics, society and in art and literature after the First
World War and its immediate aftermath. Virginia Woolf expressed this in 1924, “This
is an accumulated sense of exhilaration at a variety of new beginnings and rejections
of the past.”1
She refers to Samuel Butler’s The Way of All Flesh as an early symptom
of cultural questioning and the plays of Shaw. Her paper “Mr. Bennet and Mrs.
Brown” would probably have acknowledged the potent influence of the wider
European innovations
 

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