هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

The Ambassadors

Nothing is more easy than to state the subject of "The Ambassadors,"
which first appeared in twelve numbers of The North American Review
(1903) and was published as a whole the same year. The situation involved
is gathered up betimes, that is in the second chapter of Book Fifth, for the
reader's benefit, into as few words as possible-- planted or "sunk," stiffly
The Ambassadors 1
and saliently, in the centre of the current, almost perhaps to the obstruction
of traffic. Never can a composition of this sort have sprung straighter from
a dropped grain of suggestion, and never can that grain, developed,
overgrown and smothered, have yet lurked more in the mass as an
independent particle. The whole case, in fine, is in Lambert Strether's
irrepressible outbreak to little Bilham on the Sunday afternoon in Gloriani's
garden, the candour with which he yields, for his young friend's
enlightenment, to the charming admonition of that crisis. The idea of the
tale resides indeed in the very fact that an hour of such unprecedented ease
should have been felt by him AS a crisis, and he is at pains to express it for
us as neatly as we could desire. The remarks to which he thus gives
utterance contain the essence of "The Ambassadors," his fingers close,
before he has done, round the stem of the full-blown flower; which, after
that fashion, he continues officiously to present to us. "Live all you can; it's
a mistake not to. It doesn't so much matter what you do in particular so long
as you have your life. 
 

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