هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Ender's Game

 Chapter 1 -- Third

 "I've watched through his eyes, I've listened through his ears, and tell you he's the one.
Or at least as close as we're going to get."
 "That's what you said about the brother."
 "The brother tested out impossible. For other reasons. Nothing to do with his ability."
 "Same with the sister. And there are doubts about him. He's too malleable. Too willing
to submerge himself in someone else's will."
 "Not if the other person is his enemy."
 "So what do we do? Surround him with enemies all the time?"
 "If we have to."
 "I thought you said you liked this kid."
 "If the buggers get him, they'll make me look like his favorite uncle."
 "All right. We're saving the world, after all. Take him."
 The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose
by now you're just absolutely sick of having that horrid monitor. Well, I have good news
for you. That monitor is going to come out today. We're going to just take it right out, and
it won't hurt a bit."
 Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always
said it when it was going to hurt, he could count on that statement as an accurate
prediction of the future. Sometimes lies were more dependable than the truth.
 "So if you'll just come over here, Andrew, just sit right up here on the examining table.
The doctor will be in to see you in a moment." 

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