هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Light in August

SITTING beside the road, watching the wagon mount the hill toward her, Lena thinks, ‘I have come
from Alabama: a fur piece. All the way from Alabama a-walking. A fur piece.’ Thinking although I
have not been quite a month on the road I am already in Mississippi, further from home than I have ever been before.
I am now further from Doane’s Mill than I have been since I was twelve years old.
She had never even been to Doane’s Mill until after her father and mother died, though six or
eight times a year she went to town on Saturday, in the wagon, in a mail-order dress and her bare
feet flat in the wagon bed and her shoes wrapped in a piece of paper beside her on the seat. She
would put on the shoes just before the wagon reached town. After she got to be a big girl she would
ask her father to stop the wagon at the edge of town and she would get down and walk. She would
not tell her father why she wanted to walk in instead of riding. He thought that it was because of the
smooth streets, the sidewalks. But it was be cause she believed that the people who saw her and
whom she passed on foot would believe that she lived in the town too. 
 

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