هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Through the Looking-Glass, and What Alice Found There

CONTENTS
Looking-Glass house . . . . . . . . . . . . . . . . . . . . 8
The Garden of Live Flowers. . . . . . . . . . . . . 22
Looking-Glass Insects . . . . . . . . . . . . . . . . . . 36
Tweedledum and Tweedledee . . . . . . . . . . . . 50
Wool and Water . . . . . . . . . . . . . . . . . . . . . . . 64
Humpty Dumpty . . . . . . . . . . . . . . . . . . . . . . 76
The Lion and the Unicorn . . . . . . . . . . . . . . 89
‘It’s My Own Invention’ . . . . . . . . . . . . . . . 100
Queen Alice. . . . . . . . . . . . . . . . . . . . . . . . . . 116
Shaking. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Waking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Which Dreamed it? . . . . . . . . . . . . . . . . . . . 134
One thing was certain, that the white kitten had had
nothing to do with it:— it was the black kitten’s fault
entirely. For the white kitten had been having its face
washed by the old cat for the last quarter of an hour (and
bearing it pretty well, considering); so you see that it couldn’t
have had any hand in the mischief.
The way Dinah washed her children’s faces was this:
first she held the poor thing down by its ear with one paw,
and then with the other paw she rubbed its face all over, the
wrong way, beginning at the nose: and just now, as I said,
she was hard at work on the white kitten, which was lying
quite still and trying to purr— no doubt feeling that it was
all meant for its good. 
 

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