هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

    Frankenstein, or, the Modern Prometheus
To Mrs. Saville, England
St. Petersburgh, Dec. 11th, 17—
You will rejoice to hear that no disaster has accompanied
the commencement of an enterprise which you have regarded with such evil forebodings. I arrived here yesterday, and
my first task is to assure my dear sister of my welfare and
increasing confidence in the success of my undertaking.
I am already far north of London, and as I walk in the
streets of Petersburgh, I feel a cold northern breeze play
upon my cheeks, which braces my nerves and fills me
with delight. Do you understand this feeling? This breeze,
which has travelled from the regions towards which I am
advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more
fervent and vivid. I try in vain to be persuaded that the
pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight.
There, Margaret, the sun is forever visible, its broad disk just
skirting the horizon and diffusing a perpetual splendour.
There—for with your leave, my sister, I will put some trust
in preceding navigators— there snow and frost are banished; and, sailing over a calm sea, we may be wafted to
a land surpassing in wonders and in beauty every region
hitherto discovered on the habitable globe