هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

A Christmas Caro
MARLEY was dead, to begin with. There is no doubt whatever about
that. The register of his burial was signed by the clergyman, the clerk,
the undertaker, and the chief mourner. Scrooge signed it. And
Scrooge’s name was good upon ’Change, for anything he chose to put
his hand to.
Old Marley was as dead as a door-nail.
Mind! I don’t mean to say that I know, of my own knowledge,
what there is particularly dead about a door-nail. I might have been
inclined, myself, to regard a coffin-nail as the deadest piece of
ironmongery in the trade. But the wisdom of our ancestors is in the
simile; and my unhallowed hands shall not disturb it, or the Country’s
done for. You will therefore permit me to repeat, emphatically, that
Marley was as dead as a door-nail.
Scrooge knew he was dead? Of course he did. How could it be
otherwise? Scrooge and he were partners for I don’t know how many
years. Scrooge was his sole executor, his sole administrator, his sole
assign, his sole residuary legatee, his sole friend, and sole mourner.
And even Scrooge was not so dreadfully cut up by the sad event, but
that he was an excellent man of business on the very day of the
funeral, and solemnised it with an undoubted bargain