هذا القسم يحتوي علي العديد من القصص والروايات باللغة الإنجليزية

(Stories and novels) القصص والروايات
الرواية هي سرد نثري طويل يصف شخصيات خيالية أو واقعية وأحداثاً على شكل قصة متسلسلة، كما أنها أكبر الأجناس القصصية من حيث الحجم وتعدد الشخصيات وتنوع الأحداث، وقد ظهرت في أوروبا بوصفها جنساً أدبياً مؤثراً في القرن الثامن عشر، والرواية حكاية تعتمد السرد بما فيه من وصف وحوار وصراع بين الشخصيات وما ينطوي عليه ذلك من تأزم وجدل وتغذيه الأحداث
A novel is a relatively long work of narrative fiction, normally written in prose form, and which is typically published as a book. The present English word for a long work of prose fiction derives from the Italian novella for "new", "news", or "short story of something new", itself from the Latin novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning "new". Walter Scott made a distinction between the novel, in which (as he saw it) "events are accommodated to the ordinary train of human events and the modern state of society" and the romance, which he defined as "a fictitious narrative in prose or verse; the interest of which turns upon marvellous and uncommon incidents". However, many such romances, including the historical romances of Scott, Emily Brontë's Wuthering Heights and Herman Melville's Moby-Dick, are also frequently called novels, and Scott describes romance as a "kindred term". This sort of romance is in turn different from the genre fiction love romance or romance novel
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a "single effect" or mood.

A dictionary definition is "an invented prose narrative shorter than a novel usually dealing with a few characters and aiming at unity of effect and often concentrating on the creation of mood rather than plot."

The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella (a shorter novel), authors generally draw from a common pool of literary techniques.

Jane Eyre
There was no possibility of taking a walk that day. We
had been wandering, indeed, in the leafless shrubbery an
hour in the morning; but since dinner (Mrs. Reed, when
there was no company, dined early) the cold winter wind
had brought with it clouds so sombre, and a rain so
penetrating, that further out-door exercise was now out of
the question.
I was glad of it: I never liked long walks, especially on
chilly afternoons: dreadful to me was the coming home in
the raw twilight, with nipped fingers and toes, and a heart
saddened by the chidings of Bessie, the nurse, and
humbled by the consciousness of my physical inferiority to
Eliza, John, and Georgiana Reed.
The said Eliza, John, and Georgiana were now
clustered round their mama in the drawing-room: she lay
reclined on a sofa by the fireside, and with her darlings
about her (for the time neither quarrelling nor crying)
looked perfectly happy. Me, she had dispensed from
joining the group; saying, ‘She regretted to be under the
necessity of keeping me at a distance; but that until she
heard from Bessie, and could discover by her own 
Jane Eyre
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observation, that I was endeavouring in good earnest to
acquire a more sociable and childlike disposition, a more
attractive and sprightly manner— something lighter,
franker, more natural, as it were—she really must exclude
me from privileges intended only for contented, happy,